Sri Krsna Sevibo Boli lyrics

śrī-kṛṣṇe sebibo boli' gṛha chāḍi' kuñje coli' jāite hoya abhisārī sakhī kuñja sajjā kore jabe bāsaka sajjā ha'na tabe utkaṇṭhita kṛṣṇa-patha lakhi'

sri-krsne sebibo boli' grha chadi' kunje coli' jaite hoya abhisari sakhi kunja sajja kore jabe basaka sajja ha'na tabe utkanthita krsna-patha lakhi'

श्रीकृष्णे सेबिबो बोलिऽ गृह छाडिऽ कुञ्जे चोलिऽ जाइते होय अभिसारी सखी कुञ्ज सज्जा कोरे जबे बासक सज्जा हऽन तबे उत्कण्ठित कृष्णपथ लखिऽ

Ahisarika: Only for the sake of rendering service to Krsna for His pleasure, the sahkis who are to meet their lover at the assigned rendezvous garden abandon their homes and proceed on the path to the pleasure grove. 2) Basaka-sajja: Then they beautify the kunja with various types of decorations, busying themselves in the mood of preparing the bed-chamber for their dearmost lover. 3) Utkanthita: And in the process, they all repeatedly glance out the doorway, looking down the road in greatly exhilarating eagerness, anticipating the arrival of their beloved hero, Sri Krsna.

kāla ullaṅghiyā hori bhoga-cihna dehe dhori' aile hana khaṇḍitā takhana saṅkete pāiyā baise tabu kanta nā āise bipralabdhā nāyikā to' hana

kala ullanghiya hori bhoga-cihna dehe dhori' aile hana khandita takhana sankete paiya baise tabu kanta na aise bipralabdha nayika to' hana

काल उल्लङ्घिया होरि भोगचिह्न देहे धोरिऽ ऐले हन खण्डिता तखन सङ्केते पाइया बैसे तबु कन्त ना आइसे बिप्रलब्धा नायिका तोऽ हन

4) Khandita: When Krsna arrives late, transgressing the fixed time of rendezvous, His body bears some of signs of His having enjoyed Himself with another lover. At that time, the heroine becomes extremely jealous upon observing such symptoms. 5) Bipralabdha: When the heroine sits waiting in the solitary bower, and her lover does not show up at all, then She feels disappointed and let down by His absence.

mānera kalahe hori jana cali duḥkha kori' kalahāntarita santāpinī mathurāte kānta gelo bahu-dina nā āilo proṣita-bhartṛkā kāṅgālinī

manera kalahe hori jana cali duhkha kori' kalahantarita santapini mathurate kanta gelo bahu-dina na ailo prosita-bhartrka kangalini

मानेर कलहे होरि जन चलि दुःख कोरिऽ कलहान्तरित सन्तापिनी मथुराते कान्त गेलो बहुदिन ना आइलो प्रोषितभर्तृका काङ्गालिनी

6) Kalahantarita: Whenever, due to some quarrel with Krsna, Radharani sends Him away in Her anguish, then She become severely afflicted with bereavement due to dismissing Him. 7) Prosita-bhartrka: When Krsna leaves Vrndavana and goes to Mathura, not returning even after many days have passed, then Srimati Radharani becomes most miserable and suffers terribly in separation while Her lover is abroad.

nijāyatte kānte peye' krīḍā kore kānta lo'ye swādhīna-bhartṛkā se ramaṇī nāyikā-mātrera hoya ei aṣṭa-daśodaya bipralambha-sambhoga-bodhinī

nijayatte kante peye' krida kore kanta lo'ye swadhina-bhartrka se ramani nayika-matrera hoya ei asta-dasodaya bipralambha-sambhoga-bodhini

निजायत्ते कान्ते पेयेऽ क्रीडा कोरे कान्त लोऽये स्wआधीनभर्तृका से रमणी नायिकामात्रेर होय एइ अष्टदशोदय बिप्रलम्भसम्भोगबोधिनी

8) Svadhina-bhartrka: When the heroine dominates Her lover, and tames Him according to Her own whims, then such a lady uses Him for Her own amorous sports. All heroines experience these eight different states of devotional service. Thus they taste different varieties of separation and meeting.