Vibhavita Rati Jabe lyrics

vibhāvita rati jabe kriyāpara ho'ye tabe anubhāba hoya to' udita citta-bhāba udghāṭiyā kore bāhya su-bikriyā jakhana je hoya to' ucita

vibhavita rati jabe kriyapara ho'ye tabe anubhaba hoya to' udita citta-bhaba udghatiya kore bahya su-bikriya jakhana je hoya to' ucita

विभावित रति जबे क्रियापर होऽये तबे अनुभाब होय तोऽ उदित चित्तभाब उद्घाटिया कोरे बाह्य सुबिक्रिया जखन जे होय तोऽ उचित

When one experiences ecstatic love stimulated by the above-mentioned uddipanas, then a natural resultant reaction occurs in one's body. This is called anubhava. It is like opening the doors of the heart, thus releasing the emotions. When the ecstasy thus comes to the external plane, some fine physical reactions become visible, which are quite befitting of the emotions which are revealed from within the heart.

nṛtya gīta biluṇṭhana krośana tanu-moṭana huṅkāra jṛmbhana ghana-śwāsa lokanāpekhita mati lāla-sraba ghūrṇa ati hikkadoyā aṭṭa aṭṭa hāsa

nrtya gita bilunthana krosana tanu-motana hunkara jrmbhana ghana-swasa lokanapekhita mati lala-sraba ghurna ati hikkadoya atta atta hasa

नृत्य गीत बिलुण्ठन क्रोशन तनुमोटन हुङ्कार जृम्भन घनश्wआस लोकनापेखित मति लालस्रब घूर्ण अति हिक्कदोया अट्ट अट्ट हास

The thirteen anubhavas are dancing, singing, rolling on the ground, crying, stretching the body, loud shouting, yawning, deep sighing, complete disregard of public opinion, drooling, dizziness, uncontrollable hiccups, and extremely loud roaring laughter just like a madman.

gātra citta jata saba alaṅkāra su-bibhāba nigadita biṁśati prakāra udbhāswara nāma tāra dhammilyā saṁsraṇa āra phulla ghrāṇa nībyādi bikāra

gatra citta jata saba alankara su-bibhaba nigadita bimsati prakara udbhaswara nama tara dhammilya samsrana ara phulla ghrana nibyadi bikara

गात्र चित्त जत सब अलङ्कार सुबिभाब निगदित बिंशति प्रकार उद्भास्wअर नाम तार धम्मिल्या संस्रण आर फुल्ल घ्राण नीब्यादि बिकार

It is said that there are twenty alankaras, or sensual enhancements of the body and mind. One type called udbhasvara includes letting down the hair, sniffing flowers, and adjusting the belt of one's sari, etc.

bilāpālāpa samlāpa pralāpa o anulāpa apalāpa sandeśātideśa apadeśa upadeśa nirdeśa o byapadeśa bācikānubhābera biśeṣa

bilapalapa samlapa pralapa o anulapa apalapa sandesatidesa apadesa upadesa nirdesa o byapadesa bacikanubhabera bisesa

बिलापालाप सम्लाप प्रलाप ओ अनुलाप अपलाप सन्देशातिदेश अपदेश उपदेश निर्देश ओ ब्यपदेश बाचिकानुभाबेर बिशेष

There are also twelve vacika or verbal anubhavas, namely 1) vilapa (words of lamentation), 2) alapa (witty flattery), 3) samlapa (conversations), 4) pralapa (frivolous babbling), 5) anulapa (repeating the same thing over and over again), 6) apalapa (giving another meaning to a previous statement) 7) sandesa (sending a message to a lover afar), 8) atidesa (to say "his words are my words"), 9_ apadesa (saying one thing to indicate something else), 10) upadesa (words of instruction), 11) nirdesa (to clarify "I am that same person"), 12) vyapadesa (to reveal the heart under another pretension).