Sthayi Bhavavista Citta lyrics
Bengali lyrics with IAST diacritics, Devanagari, and English meaning.
- Author
- Bhaktivinoda Thakura
- Source
- Gitamala
- Language
- Bengali
- Verse 1
sthāyī bhābābiṣṭa citta pāiyā bibhāba-bitta udbhaṭa bhābete āpanāra prāṇa-bṛtte nyasa kore prāṇa sei nyāsa-bhore deha prati bikṛti cālāya
sthayi bhababista citta paiya bibhaba-bitta udbhata bhabete apanara prana-brtte nyasa kore prana sei nyasa-bhore deha prati bikrti calaya
स्थायी भाबाबिष्ट चित्त पाइया बिभाबबित्त उद्भट भाबेते आपनार प्राणबृत्ते न्यस कोरे प्राण सेइ न्यासभोरे देह प्रति बिकृति चालाय
When one's consciousness is overwhelmed with one's permanent ecstasy (sthayi-bhava), and attains the wealth of all special stimulants (vibhava), then another effect is produced of its own accord. That is, the life-air is regulated and forcibly directed within the body, thus causing various unusual transfigurations of the body.
- Verse 2
baibarṇya romañca sweda stambha kampa swara-bheda pralayāśru e aṣṭa bikāra sañcārī je bhābacoya harṣāmārṣa āra bhoya biṣāda bismoyādi tāra
baibarnya romanca sweda stambha kampa swara-bheda pralayasru e asta bikara sancari je bhabacoya harsamarsa ara bhoya bisada bismoyadi tara
बैबर्ण्य रोमञ्च स्wएद स्तम्भ कम्प स्wअरभेद प्रलयाश्रु ए अष्ट बिकार सञ्चारी जे भाबचोय हर्षामार्ष आर भोय बिषाद बिस्मोयादि तार
The eight sattvika-vikaras are: changing of bodily colors, standing up of hairs, perspiration, shivering, choked voice, physical devastation, mental stupor, and torrents of tears. There are also 33 other transitory ecstasies known as sancari, including such emotions as jubilation, sorrow, fear, anguish, wonder, etc.
- Verse 3
prabṛtti kāraṇa hoya līlā-kāle rase loya āpane koraya anukhaṇa dhūmayitā ujjwalitā dīptā āra su-uddīptā ei cāri abasthālakhaṇa
prabrtti karana hoya lila-kale rase loya apane koraya anukhana dhumayita ujjwalita dipta ara su-uddipta ei cari abasthalakhana
प्रबृत्ति कारण होय लीलाकाले रसे लोय आपने कोरय अनुखण धूमयिता उज्ज्wअलिता दीप्ता आर सुउद्दीप्ता एइ चारि अबस्थालखण
According to the particular mellow at play during any given lila of Radha-Krsna's eternal pastimes, then the sattvika bhava can take on four different degrees of intensity, namely 1) dhumyita (smoldering), 2) ujjvalita (ignited), 3) dipta (burning), and 4) uddipta (blazing).
- Verse 4
jāra jei adhikāra sāttwika bikāra tāra se lakhaṇe hoya to' udoya mahā-bhāba daśā jathā su-uddīptā bhāba tathā anāyāse su-lakhitā hoya
jara jei adhikara sattwika bikara tara se lakhane hoya to' udoya maha-bhaba dasa jatha su-uddipta bhaba tatha anayase su-lakhita hoya
जार जेइ अधिकार सात्त्wइक बिकार तार से लखणे होय तोऽ उदोय महाभाब दशा जथा सुउद्दीप्ता भाब तथा अनायासे सुलखिता होय
Whoever has the adhikara or the capacity of qualification for these ecstasies experiences the awakening of the symptoms of the eight sattvika-vikaras. However, only in the mahabhava stage (as in Srimati Radharani) is it possible to observe the ornament of the uddipta blazing ecstasy.
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