Sri Ujjvala Rasa Sar lyrics

śrī ujjwala rasa sāra swabhābataḥ dwi-prakāra bipralambha sambhoga ākhyāna binā bipralambhāśroya sambhogera puṣṭi noya tāi bipralambhera bidhāna

sri ujjwala rasa sara swabhabatah dwi-prakara bipralambha sambhoga akhyana bina bipralambhasroya sambhogera pusti noya tai bipralambhera bidhana

श्री उज्ज्wअल रस सार स्wअभाबतः द्wइप्रकार बिप्रलम्भ सम्भोग आख्यान बिना बिप्रलम्भाश्रोय सम्भोगेर पुष्टि नोय ताइ बिप्रलम्भेर बिधान

The most brilliant mellow of conjugal love has two natural divisions: vipralambha (separation) and sambhoga (enjoyment together). The pleasure felt in union cannot be properly appreciated without the experience of suffering in separation. That is the function of vipralambha.

pūrba-rāga tathā māna prabāsa baicttya-jñāna bipralambha cāri to' prakāra saṅgamera pūrba-rīti labhe pūrba-rāga khyāti darśane śrabaṇe janma tāra

purba-raga tatha mana prabasa baicttya-jnana bipralambha cari to' prakara sangamera purba-riti labhe purba-raga khyati darsane srabane janma tara

पूर्बराग तथा मान प्रबास बैच्त्त्यज्ञान बिप्रलम्भ चारि तोऽ प्रकार सङ्गमेर पूर्बरीति लभे पूर्बराग ख्याति दर्शने श्रबणे जन्म तार

There are four types of vipralambha, namely 1) purva-raga (preliminary affection), 2) mana (pouting), 3) pravasa (distant sojourn), 4) prema-vaicittya (feeling separation even in the presence of the lover). The purva-raga is the infatuated condition that arises prior to union as a result of either seeing or hearing about the lover.

anurakta dam-patira abhiṣṭa biśleṣa sthira darśana birodhi bhāba māna sa-hetu nirhetu māna praṇayera pariṇāma praṇayera bilāsapramāṇa

anurakta dam-patira abhista bislesa sthira darsana birodhi bhaba mana sa-hetu nirhetu mana pranayera parinama pranayera bilasapramana

अनुरक्त दम्पतिर अभिष्ट बिश्लेष स्थिर दर्शन बिरोधि भाब मान सहेतु निर्हेतु मान प्रणयेर परिणाम प्रणयेर बिलासप्रमाण

Mana arises when one of the attached couple starts pouting and becomes firmly determined to stay aloof from the other, being averse even to looking at the other. This particular state of affection has two sides to it, namely sahetu mana (pouting for a good reason), and nirhetu mana (pouting for no reason at all). These are standard twists which commonly occur during the course of transcendental loving affairs.

sāma-bheda kriyā dāne natyupekhā su-bidhāne sahetu mānera upaśama deśa kāla beṇu-rabe nirhetuka mānotsabe kore ati śīghra uparama

sama-bheda kriya dane natyupekha su-bidhane sahetu manera upasama desa kala benu-rabe nirhetuka manotsabe kore ati sighra uparama

सामभेद क्रिया दाने नत्युपेखा सुबिधाने सहेतु मानेर उपशम देश काल बेणुरबे निर्हेतुक मानोत्सबे कोरे अति शीघ्र उपरम

Sahetu mana can be pacified by: 1) sama (pleasing words of consolation). 2) bheda (witty remarks), 3) kriya (worship), 4) dana (giving presents), 5) nati (falling down at the feet), 6) upeksa (indifference). When a pouting festival is created by nirhetu mana, it can be mitigated very quickly by being in a beautiful place, or by the passing of time, or simply by the sound of flute-music.

biccheda āśaṅkā hoite premera baicittya citte premera swabhābe upajoya deśa grāma banāntare priyā je prabāsa kore prabāsākhya bipralambha hoya

biccheda asanka hoite premera baicittya citte premera swabhabe upajoya desa grama banantare priya je prabasa kore prabasakhya bipralambha hoya

बिच्छेद आशङ्का होइते प्रेमेर बैचित्त्य चित्ते प्रेमेर स्wअभाबे उपजोय देश ग्राम बनान्तरे प्रिया जे प्रबास कोरे प्रबासाख्य बिप्रलम्भ होय

Prema-vaicitya comes about even in the presence of the lover by an intense fear of impending separation, thus causing an unusual transformation of the heart. This is a natural characteristic of pure prema. The symptom known as pravasa comes about when one's beloved has traveled to another forest, town or country. Thus there are four stages of vipralambha (love-in-separation).