Skip to content
Kirtan Book

Darasana Aslesanvita lyrics

Bengali lyrics with IAST diacritics, Devanagari, and English meaning.

Source
Gitamala
Language
Bengali
  1. Verse 1

    darśana āśleṣanwita ānukūlya sebāśrīta ullāse ārūḍha jei bhāba juba-dwandwa hṛdi mājhe rasākāre su-birājye sambhogākhya tāra hoya lābha

    darsana aslesanwita anukulya sebasrita ullase arudha jei bhaba juba-dwandwa hrdi majhe rasakare su-birajye sambhogakhya tara hoya labha

    दर्शन आश्लेषन्wइत आनुकूल्य सेबाश्रीत उल्लासे आरूढ जेइ भाब जुबद्wअन्द्wअ हृदि माझे रसाकारे सुबिराज्ये सम्भोगाख्य तार होय लाभ

    Sambhoga is defined as follows: it is that ecstatic mutual mood between the young couple Radha and Krsna which is enhanced by looking at each other, by embracing, by worshipping and attending each other favorably, which surmounts the highest pinnacle of elated bliss, and which is present within both Their hearts as personified rasa. Such a mood of Theirs together is called sambhoga.

  2. Verse 2

    mukhya gauṇa dwi-prakāra sambhogera su-bistāra tad ubhoya cāriṭi prakāra saṅkhipta saṅkīrṇa jāna sampanna samṛddhimāna pūrba bhābābasthā anusāra

    mukhya gauna dwi-prakara sambhogera su-bistara tad ubhoya cariti prakara sankhipta sankirna jana sampanna samrddhimana purba bhababastha anusara

    मुख्य गौण द्wइप्रकार सम्भोगेर सुबिस्तार तद उभोय चारिटि प्रकार सङ्खिप्त सङ्कीर्ण जान सम्पन्न समृद्धिमान पूर्ब भाबाबस्था अनुसार

    Sambhoga expands nicely into two main headings, mukhya (primary), and gauna (secondary). Both of these headings can each have four varieties of contacts, namely 1) samksipst (very brief and simple meeting), 2) samkirna (narrow --- slightly hindered by fear, etc.), 3) sampanna (affluent --- a warm loving meeting after a sojourn), and 4) samrddhimana sambhoga (fully enriched to the maximum). Each of these four types of union follows one of four types of separation as follows:

  3. Verse 3

    pūrba-rāgāntare jāhā saṅkhipta sambhoga tāhā mānāntare saṅkīrṇa pramāṇe khudra prabāsābasāne sampanna samṛddhimāne su-dūra prabāsa abasāne

    purba-ragantare jaha sankhipta sambhoga taha manantare sankirna pramane khudra prabasabasane sampanna samrddhimane su-dura prabasa abasane

    पूर्बरागान्तरे जाहा सङ्खिप्त सम्भोग ताहा मानान्तरे सङ्कीर्ण प्रमाणे खुद्र प्रबासाबसाने सम्पन्न समृद्धिमाने सुदूर प्रबास अबसाने

    The systematic appearance of the four mukhya sambhogas are 1) samksipt sambhoga, occurs after purva-raga (simple union after preliminary affection), 2) sankirna sambhoga occurs after mana (narrow union after pouting), 3) sampanna sambhoga occurs after a brief pravasa (affluent union after a short sojourn), and 4) samrddhimana sambhoga occurs after a long pravasa (fully enriched union after a long sojourn).

  4. Verse 4

    sampanna dwi-bidha bhāba āgati o prādurbhāba manohara sambhoga tāhāya swapne āi saba bhāba jahe hoya ābirbhāba tabe gauṇa sambhoga jānāya

    sampanna dwi-bidha bhaba agati o pradurbhaba manohara sambhoga tahaya swapne ai saba bhaba jahe hoya abirbhaba tabe gauna sambhoga janaya

    सम्पन्न द्wइबिध भाब आगति ओ प्रादुर्भाब मनोहर सम्भोग ताहाय स्wअप्ने आइ सब भाब जहे होय आबिर्भाब तबे गौण सम्भोग जानाय

    The sampanna sambhoga has two variations which produce very enchanting unions. They are two types of arrivals: 1) agati (formal or pre-arranged arrival) and 2) pradurbhava (sudden appearance among those who are eager). Also there are meetings and pastimes together in dreams. These factual dream-lilas come under the second heading as gauna sambhoga (secondary category of union).